The most recent issue of African Arts (Vol. 41, no. 4, winter 2008) focuses on contemporary masquerade performance in Africa and the transformations in its meaning, practice, and interpretation.
First Word: Masks and Modernities / Charles Gore
Making History: The Modernity of Masquerade in Ikole Ekiti / Will Rea
Between Authenticity and Nostalgia: The Making of a Yoruba Tradition in Southern Benin / Joël Noret
Masquerade Politics in Contemporary Southeastern Nigeria / Eli Bentor
Masking Youth: Transformation and Transgression in Annang Performance / David Pratten
“Burn the Mmonwu” Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern Nigeria / Charles Gore
Playing to the Gallery: Masks, Masquerade, and Museums / Polly Savage
Making History: The Modernity of Masquerade in Ikole Ekiti / Will Rea
Between Authenticity and Nostalgia: The Making of a Yoruba Tradition in Southern Benin / Joël Noret
Masquerade Politics in Contemporary Southeastern Nigeria / Eli Bentor
Masking Youth: Transformation and Transgression in Annang Performance / David Pratten
“Burn the Mmonwu” Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern Nigeria / Charles Gore
Playing to the Gallery: Masks, Masquerade, and Museums / Polly Savage
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