Robert Goldwater Library blog

Sunday @ the Met: African textiles

Sunday, February 1
Design Without End

This afternoon program focuses on Africa’s rich textile tradition in a contemporary context.

Speakers include Alisa LaGamma, curator, Department of the Arts of Africa, Oceania, and the Americas, The Metropolitan Museum of Art; Christine Giuntini, textile conservator, Department of the Arts of Africa, Oceania, and the Americas, The Metropolitan Museum of Art; and John Mack, Professor of World Studies, Sainsbury Research Unit for the Arts of Africa, Oceania, and the Americas, University of East Anglia.

2:00–4:30 p.m.
Free with Museum Admission

Click here for the Feb. 1 listing on the Museum's Web Site

Click here for the full program of upcoming events surrounding "African Textiles: Design Without End"

at left:
Interior Hanging
Mali or Ghana; Fulani (?), 19th century
Cotton, wool; 51 x 120 in. (129.5 x 304.8 cm)
The Metropolitan Museum of Art, New York, Rogers Fund, 1971 (1971.30)

smARThistory: Read/Write Art History!

via newsgrist:

smARThistory: Read/Write Art History!

(thanks to Tyler Green / TylerGreenDC [@Twitter])

via smARThistory.org:

About smARThistory

Why We Made smARThistory
For years we have been dissatisfied with the large expensive art history textbook. We found that they were difficult for many students, contained too many images, and just were not particularly engaging. In addition, we had found the web resources developed by publishers to be woefully uncreative. We had developed quite a bit of content for our online Western art history courses and we had also created many podcasts, and a few screencasts for our smARThistory blog. So, it finally occurred to us, why not use the personal voice that we use when we teach online, along with the multimedia we had already created for our blog and for our courses, to create a more engaging "web-book" that could be used in conjunction with art history survey courses. We are also committed to joining the growing number of teachers who make their content freely available on the web.

A Short History of smARThistory
smARThistory.org is a free multi-media web-book designed as a dynamic enhancement (or even substitute) for the traditional and static art history textbook. Dr. Beth Harris and Dr. Steven Zucker began smARThistory in 2005 by creating a blog featuring free audio guides in the form of podcasts for use in The Museum of Modern Art and the Metropolitan Museum of Art. Soon after, we embedded the audio files in our online survey courses. The response from our students was so positive that we decided to create a multi-media survey of art history web-book. We created audios and videos about works of art found in standard art history survey texts, organized the files stylistically and chronologically, and added text and still images.
We are interested in delivering the narratives of art history using the read-write web's interactivity and capacity for authoring and remixing. Publishers are adding multimedia to their textbooks, but unfortunately they are doing so in proprietary, password-protected adjunct websites. These are weak because they maintain an old model of closed and protected content, eliminating Web 2.0 possibilities for the open collaboration and open communities that our students now use and expect.
In smARThistory, we have aimed for reliable content and a delivery model that is entertaining and occasionally even playful. Our podcasts and screen-casts are spontaneous conversations about works of art where we are not afraid to disagree with each other or art history orthodoxy. We have found that the unpredictable nature of discussion is far more compelling to our students (and the public) than a monologue. When students listen to shifts of meaning as we seek to understand each other, we model the experience we want our students to have—a willingness to encounter the unfamiliar and transform it in ways that make it meaningful to them. We believe that smARThistory is broadly applicable to our discipline and is a first step toward understanding how art history can fit into the new collaborative culture created by web 2.0 technologies.

[read on...]